Original URL: http://davidhburton.com/?p=1999
There have been some interesting posts lately on auctions in the literary world. I first came across literary agent Kristin Nelson’s post about “What Agents Talk About When We Talk about Auctions”.In one of the comments, someone mentioned editor Cheryl Klein’s post, “An Open Letter to Agents, with a Modest Proposal Regarding Submissions”.
In response to Cheryl, agent Michael Bourret posted “In response to ‘A Modest Proposal Regarding Submissions’”.
Cheryl has since responded with “In Response to ‘In Response to [My Previous Post]‘”.
[update]: Michael has posted an update here.
All of these posts have been very professional and are obviously coming from their own point of view within in the literary world. In the end, as an author, I would have to say that I see great merit in Cheryl’s post. What she is asking for is for all houses to be given an equal amount of time to come to the table, regardless of level of enthusiasm.
I work for a bank in IT. New projects come flying at me all the time. And those that don’t give me much time to prepare, insisting that it be ready within days, irritate me. Sometimes I can pull it off in days, and some projects are really interesting and I can’t wait to start them, but I like it when you give me more time to think about how best to implement. Now before anyone jumps down my throat about how different the IT world is from the publishing world, yes, I’m aware of that. Very. But the simple courtesy of time is universal.
I totally get where Cheryl is coming from. Give editors a reasonable deadline, and for those that need more time (simply because they need to line up more ducks than others) they will have it. As an author, I don’t mind waiting because I’ll know what deadline my agent has set. I just have to sit back and wait.
And I’m sure those houses that are quick to bite will respond before the deadline, but at least we’ve given all of them the time and opportunity to respond. As well, for my own writing career, I’m interested in working with the right editor who gets my work, has a vision for it, and has passion for it. I’d like to think that may be the first editor back with an offer, but that may not be the case.
It’s certainly worth considering.
